Archives
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Shakespeare and Gaming
Vol. 13 No. 3 (2021)Special issue edited by Michael Lutz
In what game designer Eric Zimmerman calls our "ludic century," the proliferation of games of all sorts makes them a schema for (re)understanding the modes and habits of cultural production. Indeed, the practices of Shakespearean appropriation are frequently products of playful engagements, whereby the appropriator traverses the text, building virtual or imaginary worlds that interact with the received Shakespearean corpus, its margins, and its outliers in creative ways. Moreover, just as play may be likened to appropriation, aspects of Shakespeare games and game development might reflect and/or challenge traditional modes of humanistic inquiry, and adaptive play has the capacity to influence critical reading practices.
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Shakespeare and Politics Between Media
Vol. 13 No. 1 (2020)Special issue edited by Sally Barnden and Nora J. Williams
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Spring/Summer
Vol. 12 No. 2 (2019)Edited by Sujata Iyengar, Matt Kozusko, and Louise Geddes
Appropriations in Performance cluster "Fixing Shakespeare"
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Global Shakespeares in World Markets and Archives
Vol. 11 No. 1 (2017)Special issue edited by Alexa Alice Joubin
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Shakespeare and Social Media
Vol. 10 No. 1 (2016)Special issue edited by Maurizio Calbi and Stephen O'Neill
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Fall/Winter
Vol. 8 No. 2 (2013)Edited by Christy Desmet and Sujata Iyengar
Service Shakespeare Edited by Michael P. Jensen
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Shakespeareans in the Tempest: Lives and Afterlives of Katrina
Vol. 5 No. 2 (2010)Special issue edited by Sharon O'Dair
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Spring/Summer
Vol. 4 No. 2 (2009)Edited by Christy Desmet and Sujata Iyengar
Asian Shakespeares on Screen: Two Films in Perspective edited by Alexa Huang